Misc
Opinion Piece: Rant and Roll with Freddie Mack – Chapter One: To Thyself, Be True

The music industry – and its fans – have changed. Guest writer, Freddie Mack of Liquid Meat fame, takes to Cat on the Wall to explain his views on the industry, the people, the music and more…

 


 

As musicians, we’re all influenced by certain bands and certain other musicians. Wanting to play like them is an admirable goal, but wanting to sound like them is another matter!

Think of all the legendary bands that are usually listed as influences:

Led Zeppelin, Black Sabbath, AC/DC, The Doors, Cream, Queen, The Who, Motörhead, Deep Purple, Thin Lizzy, Pink Floyd,  Iron Maiden, Judas Priest, etc…

If you think about it, the only two things they have in common are:

  1. That they’re bands
  2. That they’re well known

From a musical stand point, none of them sound like the other. Most of these bands are likely to have a very similar list of influences: early blues and rock ‘n’ roll. Just as most of us see them today. Even the “newer” bands that have managed to stick around – they all have a unique sound: Queens Of The Stone Age, Foo Fighters, anything to do with Jack White, etc…

I get it! As a teenager, you get introduced to these rebellious bands, one in particular speaks out to you, and you want to reproduce everything they stand for… the look, the feel, the sound, the lifestyle.

What I think should happen is simple: you get better at your instrument, you find your own voice, and that’s what you should present to an audience. By better, I don’t mean a trained musician: once your fingers can support themselves holding the power chord, you’re good to go! However, these days, even bands in their 20s – and sometimes their 30s – set out with the mindset “I want to sound like…”  What’s the point? That band already existed, you and I know that you won’t do a better job than they did, and, in the end, you’re not bringing anything new to the table – and you’re not showing people your own voice.

I always touch on the subject of authenticity, because that’s the cornerstone of rock ‘n’ roll; along with the ‘fuck you’ attitude. Think about this, none of these bands were radio friendly when they came out. It’s only because of a thriving live music scene that bands were able to build an audience, record companies took notice, and facilitated, legally or not, airplay on radio stations.

These days, all of these bands are played constantly, each and every day. Just remember, they didn’t get there because they tried to sound like other bands on the radio – they got there by creating their own style of music, constantly playing shows, and, let’s not forget, just being really great musicians that put in the work needed to make them that incredible.

Naturally, it’s a long journey to find your own sound. Hell, I’ve been in one band for 14 years, and my style constantly changes here and there. I’m not a virtuoso, I’m not someone who practices his scales every day, I’m not a trained musician, therefore, compared to musicians in the list above, my journey has taken a lot longer. However, since the day I started writing music, I only created music that came out of me naturally. Since I’ve been on stage, my music has been compared to Motörhead, The Stooges, Dead Kennedys, Pantera, AC/DC, ZZ Top, etc…  that list is very diverse, and everyone hears something different in my music. I consider that a job well done. I didn’t want to sound like a specific band, but take all my influences and create something original. If I accomplished anything, it is exactly that. My various influences can be picked out, but I don’t specifically sound like any of them. People just like to draw comparisons and then find some band to tie you to.

I know it’s nice to idolize bands, but don’t try to recreate them. That band had their sound, and they made it. Just cause they made it with their sound, doesn’t mean you will make it trying to sound like them. Actually, in my opinion, you’ll have less of a chance to “make it” trying to copy a sound, because people who know about music will just say: this already existed, only better. “Making it” is on such a slim chance, anyway… so why not just bet on yourself and your voice?  Let’s not forget, music is art! Even if you decide to make art that’s commercial, at least make it your own.

If a painter is into Picasso, and then makes shittier versions of Picasso paintings, do you think anyone will give a shit?

 


Our review of Liquid Meat’s In Meat We Trust

Our Interview with Freddie on his Godfather, Freddie Mercury


www.LiquidMeat.com

About the author

My name is Freddie Mack. I am 35, I'm the son of record producer Reinhold Mack, and the godson of Freddie Mercury and John Deacon. I'm a musician: bassist, guitarist, songwriter, and lyricist. I've fronted a band for about 15 years now, and I'm here to rant about the music scene. Let your preconception, or should I say, misconceptions of me begin!

What comes to mind? Trust me, I've heard it all before! "Here's a guy who was born with a silver spoon in his mouth, he must have it easy in the music industry, with all of his connections through his dear old dad, I bet he had everything handed to him and never had to work a day in his life!"

Look, I used to do my best not to mention who my father is or who my godfathers are, but, thanks to Google and the internet (and Cat on the Wall) there's no way to hide it, so why bother? That's why I threw that at you right off the bat. Honestly, if anything, these ties have made it harder for me, because of the preconceptions and misconceptions that come with them. Oh poor me!

Sure, my father worked with Queen, ELO, Black Sabbath, Led Zeppelin, Rolling Stones, Deep Purple, Rainbow, Scorpions, Meat Loaf, David Bowie, Iggy Pop, Billy Squier, Rory Gallagher, Uriah Heep, etc. I can see how that would make one assume that I must have all the connections in the world at the tip of my fingers, the keys to the kingdom, if you will. But, if you know anything about the music industry, besides those names above, you''ll know that absolutely nothing is like it used to be. You'll know that there are less than a handful of record companies left, since the big ones bought out everyone else. It is also fair to assume that most managers, PR folk, executives etc. from back in the day are no longer working. At least, not in the capacity they used to, and certainly not for the companies that employed them. Ergo, it is safe to say that there are no connections to draw from, at least not ones that could further my musical career in any way.

I can say that I've seen 100s of the greatest bands in concert, and I barely ever paid for a ticket, but 95% of those shows were not facilitated through connections from my father, but rather through my best friend. Furthermore, if you know a thing or two about the business, you should know about residuals. Who are the moneymakers in a band? If your answer is "The band", you're very wrong. The record companies get the most, and then come the songwriters: which, more often than not, are only one or two people in any given band. The other musicians get fractions of a cent for any music sold, after that come the producers and engineers, etc... So whatever your idea was of how I grew up, scale it down!

I'll never deny how fortunate I am. I had the best upbringing I could imagine. The greatest parents and siblings in the world. Private schools and swimming pools. But, the fact is, I started working when I was 18. Since I was 18, I have worked and studied. Since I was 21, I pursued the dream of becoming a working full-time musician. So along with my studies, my work, I wrote every single piece of music, every lyric, found every band member, every replacement, booked every rehearsal, every gig, created every flyer, ran all the social media sites, designed the website, created the press kits, sent the albums out for review, and basically everything else besides playing the other instruments, recording the music, and creating the album art.

For 15 years, I've been in the trenches with my own band leading the charge, I have seen the ups and downs of the biggest names in music, and I have had more than my fair share as well. You might not like what I say in my rants, but I think we can agree that I at least have the experience to have a solid opinion on the matter...

Leave a comment

Your email address will not be published. Required fields are marked *